Here’s the painted version. I put a print on ebay with a buy-it-now for $25—it sold in 3 hours. Now onward to paint the next print! Love Rogue enough to buy? Check out my auctions and score yourself a print!
Recent Posts
Categories
Recent Comments
I’m searching for Orock’s character in these sketches. Crom and I have talked extensively about Orock, and this first story’s intent is to clearly show his desire. In order to carry us through a number of story arcs this has to be most clear.
These sketches, although not hitting the mark, do have a few qualities I can see making it to his final design. The most obvious is his stout frame, (he is a dwarf after all), and the overall sturdiness. The standing pose is interesting, only because Orock was a Knight at one time, and he defected from his King and kingdom—all for a chicken.
In the top right sketch I was playing with something a little more cat-like. Josephine is a chicken, (bird), and I thought that the idea of a cat as her protector was interesting. Also, I like the challenge that, even tho our dwarf hero is stout, what would it look like if he moved more like a cat—with the speed and grace you wouldn’t expect from such a short bulk.
I think I’ll play more with the cat metaphor. I try to find irony where I can, because it’s been my experience that it’s the most entertaining.
Does Crom’s latest draft of the first sequence of WTB Chicken suck?
The previous drafts have lived up to the usual fair that’s out there, but that’s not what we are aiming for, and I didn’t understand why it wasn’t better. But this draft, it hit the mark for Orock’s introduction, and captured his governing cosmic irony, as it were.
I’m stoked, and I’ve worked out a process for the art that I think will get the kind of pages we’ll need. Something ot note: the approach Crom and I are taking on WTB Chicken lends itself to the process of animation more than comic books. Crom’s scripts have no page or panel distinctions, only scenes as you’d find in a film script. This leaves a wider interpretation of the story for me and the art. Also, we’re treating this thumbnail pass as a draft of the script, which is very much in the tradition of animation.
Our goal is to spend more time having moments play out, whether it be humor, suspense, or otherwise. To explore those story opportunites thoroughly, we realized there’s only so far a script can go until we have to bring in the art. But the art should be free to provide a “draft” of its own—revising moments that play well with “the word” but aren’t translating as well with “the art”. The result will be a visual or illustrated script, and ultimately a better crafted telling of the story.
Crom did an amazing job on this draft. I hope my draft honors his effort.
Keep drawing.
Crom and I have been writing for other people and projects over the last year. Some of which were nominated for minor provincial awards, all of which we’re pretty proud to claim we’ve written.
But we’ve been neglecting our own projects. If you have a project, then you know what I’m talking about; the disappointment of realizing, “if I could have worked those long months on this instead of that…”. That realization kicks you in the gut, and is common with those of us who have to eat.
We have a new project, WTB Chicken, and it’s characters and story are turning into something with a surprising amount of charm. The premise is simple enough: An old war-weary dwarf has dedicated his life to freeing a chicken from her cage.
“A chicken!?” you say? Yes—CHARM. On Monday we broke the introductory story for these characters, their struggles and the world, and Crom’s hammering out a first draft of the script for next Monday. The first story has a wonderful simplicity, and yet allude to the growing epic tales to come.
The sketch is of our dwarf, Orock. Who is our mysterious chicken? Her name is Josephine, and I’ll have some sketches of her in the next post.
Keep drawing.

