Wednesday, February 22, 2012
Wednesday, 22 February 2012 13:55

Red Sonja

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I did this sketch for a fan on his issue 25 Red Sonja comic cover.  It was a bit nerve wracking trying not to screw it up. But he was really happy with it in the end. Keep drawing.
Saturday, 11 February 2012 19:56

Thumbnails

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Here's todays work on WTB Chicken.  There are other sheets but I couldn't hold my iPhone high enough to get them in frame. It feels good to work out visuals to a great script... Keep drawing.
Friday, 10 February 2012 16:16

Art as Draft

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Does Crom's latest draft of the first sequence of WTB Chicken suck? The previous drafts have lived up to the usual fair that's out there, but that's not what we are aiming for, and I didn't understand why it wasn't better.  But this draft, it hit the mark for Orock's introduction, and captured his governing cosmic irony, as it were. I'm stoked, and I've worked out a process for the…
Friday, 23 December 2011 20:24

Disney Christmas

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Today was rather nice.  While I could smell Liv baking cakes in the kitchen, I spent the day drawing some old friends.  I can remember being at my Grandmother's home, and she would put the Disney Channel on (at that time it was on satellite), and several grandchildren from four aunts and one uncle would all crowd around and watch the classic characters.  I didn't know it then, but animation would…

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Who are Axe & Crom?


Savages. Titans. Beggars. Fools. Champions.

In the halcyon days of 2004, Axe was a lowly freelance artist, scraping by through a semi-lucrative business selling SheHulk-bikini sketches and Mona Lisa knock offs. The great endeavor of his youth, Calgary's first 3D studio, AurenyA, had shattered like the moon Praxis.

Unto this came Crom. Working as an IT peon for a heartless corporation, Crom spent his days locked in a lightless dungeon. From this twisted darkness, he sent out small pieces of writing; interviews with cartoons character, op-ed pieces to no particular publication, general madness.

But fate, it seemed, had a bolder plan. The two became one, and a new era was born.

Sailing forth on their flagship Intellectual Property, Panda Girls, the two began to hone their skill as writers, creators, and tacticians. Now they are mercenaries for hire; mighty penmanship, combined with mighty narrative skill. If you have a script, if no one else can help, and you need a rewrite, maybe you can hire...

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